By Jurg Nievergelt, J. Craig Farrar, Edward M. Reingold
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Extra info for Computer Approaches to Mathematical Problems (Prentice-Hall Series in Automatic Computation)
1. 4. 5. 11. 12. 6. 7. 8. 9. 1 Matte painting workspace setup ■ Photoshop Panels Photoshop Panels Let’s look at the icons, panels, and tools in the workspace that contribute to your work as a matte painter. Toolbar Much of Photoshop’s versatility resides in its robust set of tools. The following section lists a select set of the tools that a matte artist will regularly use. For information on any tool not covered here, refer to Photoshop’s documentation. Any tool with a triangle in the lower-right corner has subtools that you can view and select by clicking and holding the icon.
I’m directly behind him, and artist Leon Harris appears to the left. 8 c h a p t e r 1 ■ What Is a Matte Painting? Ellenshaw’s son, Harrison, is also a noted matte artist and effects director. He provided all the matte paintings in the 1977 release of the first Star Wars film. He set up the matte department at Industrial Light & Magic during the production of Star Wars: The Empire Strikes Back (1980). He was also the associate producer and visual effects supervisor on Tron (1982). Harrison Ellenshaw was my boss and mentor at Disney, and he’s not only a talented artist but also a fine and patient teacher.
3). 3 Diagram of a rear-projection matte setup Digital Matte Painting The advent of digital imaging made these techniques obsolete. In the past, mattes were limited by the available technology. Most were created with just a few elements: often only the plate and the painting. Today, most matte painting is done in Photoshop; it encompasses advanced compositing techniques that could never have been achieved without computers. ■ A Brief History of Matte Painting With digital compositing, it isn’t uncommon for a shot to be created out of hundreds of different elements.
Computer Approaches to Mathematical Problems (Prentice-Hall Series in Automatic Computation) by Jurg Nievergelt, J. Craig Farrar, Edward M. Reingold