Ricardo Piglia's El último lector PDF

By Ricardo Piglia

«De entre los angeles legión de escritores hispanoamericanos que se han alzado a
los hombros del precursor Borges, es Ricardo Piglia quien tiene las
mejores vistas sobre los paisajes y territorios de los angeles literatura
universal.» Süddeutsche Zeitung

¿Qué es un lector? ¿Quién es? ¿Qué le sucede mientras lee? La
literatura, advierte Piglia, da un nombre y una historia al lector. De
don Quijote a Hamlet, de Bartleby al lector inventado de Borges, de Emma
Bovary a Philip Marlowe, asistimos a una variedad infinita de lectores:
el visionario, el enfermo, el compulsivo, el melancólico, el traductor,
el crítico, el escritor, el filósofo y #¿por qué no?# el propio autor,
Piglia como Piglia y como Renzi. ¿Qué es un lector? los angeles respuesta «es un
relato: inquietante, singular y siempre distinto».

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He also covers how the observer’s latitude affects the location of the pole star, pointing out: “were we exactly at the north geographical pole, this northern Sky-Pole would be precisely overhead” (636), which Lovecraft’s narrator experiences first-hand: “And overhead, scarce ten degrees from the zenith, glowed that watching Pole Star” (D 21). Although Holmes chose winter in which to describe the layout of the sky around Polaris, it reads remarkably similar to Lovecraft’s autumn version: Darkness on all sides, darkness everywhere except far, far overhead, in the firmament sparkling with jewels of fire.

P. 87). Scientific Influences on Lovecraft’s Fiction All writings are products of the era in which they were created. Interpretations of writings must, therefore, account for the styles, The Lovecraft Annual: 2008 51 tastes, values, and cultural and intellectual development of their respective era. Writings in rapidly evolving fields—such as the sciences since the nineteenth century—are particularly prone to misunderstanding if taken out of the context of their era: the value of Copernicus’s circular orbits, Newton’s “action at a distance,” the Bohr atom, and other ideas discarded by twenty-first-century science must be assessed by their contemporary standards, given the mathematical, computational, and observational limitations of their time.

288). ” The changing phase of the moon plays an important role in “The Whisperer in Darkness,” in which the fungus beings are kept away by moonlight. ” Obviously, the moon plays no unified role. Nor does the moon serve as a harbinger of good or ill fortune, since all Lovecraft’s protagonists are, as a rule, luckless. Of all Lovecraft’s astronomical devices, his use of the stars distinguishes his fiction. His first attempt to mix scientific realism into his fiction occurs in “Beyond the Wall of Sleep,” which features a struggle between an alien entity and its antagonist—represented by the star Algol—culminating in a battle visible from earth, known to astronomers as Nova Persei 1901 (D 35).

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