Lindsay B. Cummings's Empathy as Dialogue in Theatre and Performance PDF

By Lindsay B. Cummings

ISBN-10: 1137593253

ISBN-13: 9781137593252

ISBN-10: 1137593261

ISBN-13: 9781137593269

Empathy has provoked equivalent measures of pleasure and controversy lately. For a few, empathy is essential to figuring out others, aiding us bridge social and cultural adjustments. For others, empathy is not anything yet a faulty assumption of entry to the minds of others. during this publication, Cummings argues that empathy is available in many kinds, a few beneficial to knowing others and a few dangerous. Tracing empathy’s family tree via aesthetic concept, philosophy, psychology, and function thought, Cummings illustrates how theatre artists and students have usually missed the dynamic strength of empathy by means of targeting its extra “monologic” varieties, within which spectators both undertaking their perspective onto characters or passively establish with them. This publication accordingly explores how empathy is most well known whilst it capabilities as a discussion, besides how theatre and function can utilise the reside, emergent alternate among our bodies in house to motivate extra dynamic, dialogic encounters among performers and viewers.

Show description

Read or Download Empathy as Dialogue in Theatre and Performance PDF

Best emotions books

New PDF release: Emotion: A Very Short Introduction

Was once love invented by means of eu poets within the center a long time or is it a part of human nature? Will profitable the lottery fairly make you cheerful? Is it attainable to construct robots that experience emotions? those are only a few of the interesting questions explored during this consultant to the most recent wondering the sentiments. Drawing on quite a lot of clinical learn, from anthropology and psychology to neuroscience and synthetic intelligence, Emotion: The technology of Sentiment takes the reader on a desirable trip into the human middle.

Get Thinking about Feeling: Contemporary Philosophers on PDF

Philosophers due to the fact that Aristotle have explored emotion, and the research of emotion has continually been necessary to the affection of knowledge. lately Anglo-American philosophers have rediscovered and positioned new emphasis in this very outdated self-discipline. The view that feelings are ripe for philosophical research has been supported by way of a number of very good courses.

Exploring Forgiveness by Robert D. Enright PDF

Pioneers within the research of forgiveness, Robert Enright and Joanna North have compiled a suite of twelve essays starting from a first-person account of the mum of a murdered baby to an evaluate of the USA’ post-war reconciliations with Germany and Vietnam. This e-book explores forgiveness in interpersonal relationships, kin relationships, the person and society courting, and diplomacy during the eyes of philosophers and educators in addition to a psychologist, police chief-turned-minister, legislation professor, sociologist, psychiatrist, social employee, and theologian.

Extra resources for Empathy as Dialogue in Theatre and Performance

Example text

81 He associated empathy not with an emotional projection or even “inner imitation” that allows us to understand the other, but rather with a passive, even hypnotizing, adoption of the character’s emotions and point of view. 82 79 Bertolt Brecht, Brecht on Theatre: The Development of an Aesthetic, ed. and trans. John Willet (New York: Hill and Wang, 1992), 25. 80 Willet, footnote in Brecht, Brecht on Theatre, 16. 81 Brecht, Brecht on Theatre, 37. 82 Vischer, 109. Augusto Boal adopts this aspect of Brecht’s critique of empathy, focusing in particular on how identification with the character deprives the spectator of the will to INTRODUCTION 29 It is hardly surprising that Brecht, a champion of rational thought and dialectical analysis, should reject any connotation of spiritual mysticism such as those associated with Vischer’s notion of empathy.

The chapters that follow consider how, as both spectators and artists of the theatre, we might promote the conditions for dialogic empathy: a greater sense of give and take; increased parity between stage and audience; a heightened awareness of socio-historical conditions that influence each encounter; and a shared investment in the labor of building new relationships and new pathways of understanding. In Chap. 2, “Interruptions: Estranging Empathy,” I argue that, rather than curtailing empathy as Brecht would have it, interruptions might encourage a more critically aware, dialogic empathy.

These rehearsals reveal that social change is not simply a matter of devising new actions or choices, but also of emotionally preparing oneself for the uncertainty that comes with remaking one’s world. Empathy, like acting, involves imaginative, embodied, and affective labor. This chapter expands on feminist Brechtian theory, suggesting that a revised understanding of Brecht offers us not only a means of critically viewing the world, but also a means of exploring the affective labor associated with social change.

Download PDF sample

Empathy as Dialogue in Theatre and Performance by Lindsay B. Cummings


by Michael
4.3

Rated 4.67 of 5 – based on 10 votes