By Isabelle Serça
Ce livre n'est ni un traité des signes de ponctuation en utilization, ni un ouvrage sur l. a. ponctuation à telle époque, dans tel style ou chez tel auteur. C'est un essai qui pose los angeles ponctuation comme un objet esthétique pour en faire los angeles pierre de touche d'une expérience du temps dans l'écriture, tout particulièrement los angeles prose romanesque : plaçant son objet au carrefour de plusieurs domaines, il les fait jouer ensemble en s'intéressant non seulement aux textes de Proust. Simon ou Gracq, mais aussi à des oeuvres d'artistes contemporains comme Parmiggiani ou Serra. Le terme s'emploie en effet aussi dans les arts comme l. a. musique, los angeles peinture. le cinéma ou l'architecture, où les areas et les axes marquent los angeles déambulation du piéton et ponctuent son cheminement. Le parcours du lecteur de roman est ainsi rapproché in tremendous de celui du spectateur des installations de Richard Serra. celle du musée Guggenheim de Bilbao, the problem of Time, ou celle qui a été proposée au Grand Palais en 2008. prom. Marcher dans l. a. word, marcher dans le temps, marcher dansa "La Matière du Temps" : l. a. ponctuation marque les temps de l. a. lecture comme elle marque les temps de los angeles prom du visiteur. Elle serait alors un des critères nécessaires de l'oeuvre d'art.
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Esthétique de la ponctuation by Isabelle Serça