How to Read Literature Like a Professor: A Lively and by Thomas C. Foster PDF

By Thomas C. Foster

A completely revised and up-to-date version of Thomas C. Foster's vintage guide—a full of life and enjoyable creation to literature and literary fundamentals, together with symbols, topics, and contexts—that indicates you the way to make your daily studying event extra lucrative and enjoyable.

While many books should be loved for his or her simple tales, there are frequently deeper literary meanings interwoven in those texts. tips on how to learn Literature Like a Professor is helping us to find these hidden truths by way of taking a look at literature with the eyes—and the literary codes—of the final word expert reader: the varsity professor.

What does it suggest whilst a literary hero travels alongside a dusty street? whilst he fingers a drink to his spouse? while he's soaking wet in a unexpected rain bathe? starting from significant issues to literary types, narrative units, and shape, Thomas C. Foster presents us with a vast review of literature—a global the place a street results in a quest, a shared meal may possibly characterize a communion, and rain, no matter if detoxification or harmful, is rarely only a shower—and exhibits us find out how to make our analyzing event extra enriching, gratifying, and fun.

This revised variation contains new chapters, a brand new preface, and a brand new epilogue, and accommodates up-to-date educating issues that Foster has built over the last decade.

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Additional resources for How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines (Revised Edition)

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There have been ingenious inquiries into the 51 scenario of the opening lines in major dialogues; but no systematic critical examination of how urban and rural, private or public set­ tings, mises en scene, initiate and inform the subsequent dialectic. I know of no comprehensive look at the role of entrances and exits in the dialogues though these are as paced and shaping as in any great play. The Platonic account of the trial and death of Socrates has long been regarded, together with Golgotha, as archetypal of western tragic art and feeling in toto.

As the Charmides gets under way, Socrates has just returned from the bitter battle at Potidea. " Virtually always Plato signals precise locations, 61 many of whose implicit references or symbolism are bound to elude us. Thus Socrates is walking from the Academy to the Lyceum along the road which skirts the outside of the city walls. He "has reached the little gate where the Panops has its source" when he chances on a cluster of young men eager to engage him.

This conviction, set out with chilling severity in the Laws, has generated numerous pro­ grams of " thought control" and censorship, whether inquisitorial, Puritan, Jacobin, fascist or Leninist. The unfettered poet or novelist energizes, exemplifies the rebellious irresponsibilities of the imagi­ nation. He is always to the left of official sentiment. In the economy, always under pressure, of civic means and obligations the aesthetic can entail both waste and subversion. From this point of view Plato does worse than repudiate the "open society " (Popper's celebrated indictment) : he repudiates the open mind.

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How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines (Revised Edition) by Thomas C. Foster


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