Lasers in the Conservation of Artworks: LACONA VI by John F. Asmus (auth.), Mag Johann Nimmrichter, Professor PDF

By John F. Asmus (auth.), Mag Johann Nimmrichter, Professor Wolfgang Kautek, Professor Manfred Schreiner (eds.)

ISBN-10: 3540721290

ISBN-13: 9783540721291

ISBN-10: 3540721304

ISBN-13: 9783540721307

Within the final a long time, using lasers in works of art conservation grew to become a major software for plenty of conservators, scientists, architects and different specialists, who're interested by the care of monuments and artefacts or laser know-how. For the 1st time in 1995 Professor Costas Fotakis introduced jointly restorers and scientists to debate the potential for lasers in paintings conservation. due to the fact then the sector of "Lasers within the Conservation of artistic endeavors" has received tremendously in value. these days restorers and laser scientists paintings shut jointly with a purpose to improve new fields of purposes over the last years. in addition various nationwide and foreign learn initiatives were performed via conservator-restorers, architects and scientists. within the final 10 years a couple of historic and inventive prime quality monuments (e.g. St. Stephens Cathedral in Vienna) were wiped clean or measured through laser and taken the laser within the spectra of instruments that are beneficial within the brilliant box of artistic endeavors. The court cases of the congress addresses scientists, conservator-restorers, businesses, architects, decision-makers and different specialists interested in conservation initiatives or within the examine of latest laser equipment.

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Additional info for Lasers in the Conservation of Artworks: LACONA VI Proceedings, Vienna, Austria, Sept. 21–25, 2005

Sample text

The conservation history of the Porta del Paradiso (from 1948, the year when the first restoration in the modern sense was undertaken, to the present day) encompasses a long time span in which many changes have occurred in conservation: the approach to problems, technological know-how, the choice of materials employed, the awareness of the validity of scientific backup and, above all, the presence of and the collaboration between various specialists. Towards the end of 2001 (October) laser ablation cleaning was begun on the panels of the perimeter frame of the left wing which, in this phase of work, was placed in an upright position with its lower edge parallel to the floor.

The nongilded bronze frames are protected with a double layer of paper adhesive tape (a material that does not cause any damage in the short term) so as to prevent them from being accidentally hit during laser ablation as well as clearly defining the area to be treated. Another precaution is the covering of underlying areas with nylon sheeting so as to avoid their wetting by running deionised water, necessary in the cleaning treatment. The restorer undertaking cleaning uses the aspirator to extract all the volatile products of laser ablation, wears a mask and has an adequate eye protection.

Meier, Reinigung historischer Metalle – Lasertechnologie im Einsatz für die Denkmalpflege, Berichte zur Denkmalpflege in Niedersachsen 1/2005. 5. -M. -E. -S. Koh, Journal of Cultural Heritage Vol. 4, 157, 2003. 4 Current Work in Laser Cleaning of the Porta del Paradiso S. Agnoletti1 , A. Brini2 , and L. com Conservator of the Opificio delle Pietre Dure, Via Alfani 78, 50121 Firenze, Italy Freelance Conservator, Via dei Pilastri 34, 50121 Firenze, Italy Summary. This paper summarises the conservation of the Porta del Paradiso, currently underway.

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Lasers in the Conservation of Artworks: LACONA VI Proceedings, Vienna, Austria, Sept. 21–25, 2005 by John F. Asmus (auth.), Mag Johann Nimmrichter, Professor Wolfgang Kautek, Professor Manfred Schreiner (eds.)

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