By Karen Kingsbury
The Bailey Flanigan sequence starts off with Bailey leaving Bloomington for the journey of a life-time. She has gained an audition for the ensemble of a Broadway musical in long island urban. She's made up our minds to exploit this once-in-a-lifetime chance, yet is she quite able to go away friends and family for the loneliness of the town? And what of Cody? His disappearance has her nervous approximately their destiny and praying that their love can live to tell the tale. so that it will be in the direction of his mom in reformatory, Cody takes a training activity in a small group outdoor Indianapolis. New buddies, distance, and situations reveal cracks in his courting with Bailey Flanigan. Love, loneliness, substantial possibilities, or even larger judgements spotlight the 1st publication within the new Bailey Flanigan sequence that includes participants of the preferred Baxter kinfolk and at last completes the Bailey Flanigan/Cody Coleman tale.
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Hey …” She ran lightly to the other side of the kitchen bar where her purse hung on one of the stools. ” She dug around her purse again and after half a minute finally found her phone. ” She pushed a few buttons and put the phone on speaker so they could both hear. “Hello, this is Francesca Tilly, producer for the Broadway production of Hairspray. ” The woman’s Italian accent was thick. She talked very fast and sounded quite serious. “We’ve lost members of our cast for various reasons, so we’ll host a limited audition in three weeks.
Louder! Come on guys. This is February. ” Cody wondered if he’d like the man. Some coaches could yell and still get their point across, still show love and concern for their players. Others were mostly a lot of hot air. They stepped inside, and Ms. Baker waited until the coach spotted her. He blew his whistle. “Take five. Get some water. ” The man’s scowl remained as he walked over. “Ms. Baker,” he nodded, terse, serious. “Coach Oliver, this is Cody Coleman. ” The man gave Cody a quick once-over.
Everything took time, and then on weekends he visited his mom in prison. Her current sentence had three more years, at least. Drug dealing penalties got worse with each conviction. His mother could attest to that. They would talk and pray and she would hold his hands — really hold them — like she might not survive after he let go and left the room. But he always left. He had no choice. To fill the empty spaces, a couple times a month Cody had dinner at the house of his old war buddy Art Collins.
Leaving by Karen Kingsbury