By Graziella Parati
New views in Italian Cultural reviews. quantity 1: Definitions, conception, and Accented Practices is a suite of essays that identifies a couple of assorted techniques in cultural experiences and in Italian cultural experiences particularly. It highlights that heritage of cultural stories and new advancements within the box to boot makes a speciality of practising cultural reports with essays dedicated to Italian hip hop tradition, postcolonial Italy and queer diaspora, Occidentalism in Japan, Italian racism and colonialism.
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Additional resources for New Perspectives in Italian Cultural Studies: Definition, Theory, and Accented Practices
To achieve this, it is necessary to conduct oneself as Sammler, that is—to quote a wonderful expression by Thomas Macho—not to abandon the “rhapsodic naivete” —as Adorno argues against Benjamin—to make speak, with Gramsci, those “disasters of character” that render the research innovative, that “getting blood from a stone” which characterizes writings in the moment of danger. As we have already read in Prison Notebooks, we must develop mimetic and contextual strategies that render the methods pliable and adherent to their subject matter; we must 99 100 101 102 believe in “historical semantics” rather than an eternally valid method; and obviously not to be afraid of contamination between seemingly distant fields of knowledge.
Antonio Gramsci, Quaderni del carcere, critical edition by the Gramsci Institute, ed. Valentino Gerratana, vol. 2, 910, 916). 2, 1365. 1, 364. 9. See Gramsci, Quaderni vol.
At the beginning, everything still has reference to a planned and rational construct. ” In April of that same year he already understands that writing in these conditions means trying to “get blood from a stone,” though a political prisoner must submit to the discipline of “knowing how to take notes (if given the permission to write)” and begins to consider every book, even casually, an inexhaustible source of essential teachings: 25 26 It seems to me that it is enough to prove that you can even get blood from a stone because in this case, there are no stone.
New Perspectives in Italian Cultural Studies: Definition, Theory, and Accented Practices by Graziella Parati