By Eric Spitznagel
[b]Foreword via Wilco's Jeff Tweedy
"Memories are way more indelible whilst married to the actual global, and Spitznagel proves the purpose during this bright ebook. we like vinyl documents simply because they mix the tactile, the visible, the seeable results of age and care and carelessless. while he searches for the files he misplaced and sold, Spitznagel is trying to come back to a tangible earlier, and he info that technique with nice sensitivity and impact."
—Dave Eggers, writer of [i]The Circle
High constancy meets Killing your self to Live during this memoirof one man's look for his misplaced list assortment. As he reveals himself inside spitting distance of middle-age, journalist Eric Spitznagel feels acutely the loss of…something. Freedom? probably. Coolness? may be. The documents he offered in a monetary pinch? certainly. to determine evidently, he units out on a quest to find the unique vinyl artifacts from his prior. not only copies. the very same files: The Bon Jovi record together with his first girlfriend's telephone quantity scrawled at the entrance sleeve. The KISS Alive II he as soon as shared together with his little brother. The Replacements Let It Be he’s lovely convinced, two decades later, could nonetheless odor like weed.
As he embarks on his hero's trip, he reminisces in regards to the real documents, the track, and the folks he listened to it with—old girlfriends, his highschool neighbors, and, such a lot poignantly, his father and his younger son. He explores the magic of tune and reminiscence as he interweaves his adventures in list- tradition with questions on our connection to our prior, even if we will ever recapture it, and no matter if we'd are looking to if shall we.
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Extra resources for Old Records Never Die: One Man's Quest for His Vinyl and His Past
He shook her hand and sauntered out the door of the restaurant. ” Hollywood is full of such organisms! Probably an entire book could be written about this subject. A more digestible way of describing a parasite in human form is to detail the actions of these people. In 1954 I arrived in Hollywood bright eyed and bushy tailed, ready to start my film-acting career. I came with a friend from college who had the same ambitions. I had one connection with someone that might be of help in establishing me, an actor who had worked with both my brothers at the Jewish People’s Institute in Chicago.
Robert Christopher and I were talking about our exploits in show business. Robert, who just turned ninety and looks years younger, has acted in scores of films and was telling me about his role in The Barefoot Contessa, which he did many years ago. He also talked about Rome and acting in Europe, where he spent some time working in films. He always sits at the same table and is irritated if, when he arrives, other people are there. ” It consists of aging Italian actors who have worked in films over the years.
That, in a sense, told the whole story of his life. On the other side of the pool lived a guy around twenty-eight or thirty years old, who was married to an attractive want-to-be model or actress. Every time she left the apartment to go somewhere, he would come out, look at her departing and check to see if there was anyone sitting around the pool who could witness his good fortune to be with such a beautiful woman. Next to my apartment, in 112, was an older woman in her late fifties or early sixties, by the name of Hennie Mohr.
Old Records Never Die: One Man's Quest for His Vinyl and His Past by Eric Spitznagel