New PDF release: Por un relato futuro

By Ricardo Piglia

Pocas dedicaciones hay tan solitarias como los angeles literatura y –acaso por eso mismo– pocas amistades tan firmes como las que, en ocasiones, se establecen entre escritores. Este libro es el testimonio de los angeles amistad que, a lo largo de muchos años, unió a dos grandes autores, Ricardo Piglia y Juan José Saer: una amistad literaria y un intercambio de impresiones acerca de los angeles obra propia y l. a. del otro. Como cube Piglia en el prólogo: «La amistad establece el modelo de l. a. lectura literaria: cercana, intensa, fuera de todo keep an eye on y de todo interés que no sea l. a. complicidad literaria»; y, sobre el contenido del libro: «Diálogos apasionados, bromas, una maledicencia liviana, gustos tajantes, argumentos arbitrarios, acuerdos instantáneos y diferencias irreductibles.» El libro se compone de cinco diálogos que, entre 1987 y 1999, mantuvieron en diversos ámbitos y foros públicos, casi todos en Buenos Aires. Saer vivía en París, Piglia enseñaba en Princeton (Estados Unidos); cuando coincidían, dejaban de lado lo own para conversar a fondo sobre cuestiones literarias: l. a. herencia de Borges dentro y fuera de Argentina; cómo escribir después de que Joyce, Proust o Kafka parecieran haber agotado todas las posibilidades contemporáneas de los angeles narración; cómo pensar el compromiso político sin caer en el panfleto; cómo articular una tradición nacional sin renunciar a una legítima ambición common; de qué modo cada uno de ellos lee su propia trayectoria, en l. a. que el sustrato argentino se articula con los años de residencia en el extranjero; cuál es el lector perfect de cada uno; qué leen ellos en los angeles obra del otro y de sus coetáneos. Estas y otras cuestiones entrelazan un libro que se lee con los angeles fluidez de una novela y apela al pensamiento con l. a. agudeza de un gran ensayo; un libro que pone al lector a dialogar, en silencio, con dos de las más apasionadas inteligencias que haya dado los angeles literatura en castellano de las últimas décadas. Un testimonio de que hoy –e incluso en ese futuro que propone el título de este libro–, igual que en los textos platónicos de hace veinticinco siglos, es el diálogo, y no el monólogo, l. a. fuente de las principles mejores.

Show description

Read or Download Por un relato futuro PDF

Best literary criticism books

Robert Weninger's The German Joyce (The Florida James Joyce Series) PDF

In August 1919, a construction of James Joyce’s Exiles was once fixed on the Munich Schauspielhaus and quick fell as a result of harsh feedback. The reception marked the start of a dynamic organization among Joyce, German-language writers, and literary critics. it's this dating that Robert Weninger analyzes within the German Joyce.

Discourse Networks 1800/1900 - download pdf or read online

A brand new and encyclopedic imaginative and prescient of contemporary German literary, highbrow and social heritage, completed during the optic of discourse research, psychoanalysis, and semiotic conception, analyzed in a spirit of playfulness and impudent precision.

Heather Dubrow's The Challenges of Orpheus: Lyric Poetry and Early Modern PDF

Awesome educational name, selection magazine

This e-book confronts frequent assumptions approximately lyric as a literary mode, exploring such issues as its dating to its audiences, the influence of fabric stipulations of creation and different cultural pressures, lyric's negotiations of gender, and the interactions and tensions among lyric and narrative.

Offering clean views on significant texts of the period—from Wyatt's "My lute awake" to Milton's Nativity Ode—as good as poems through lesser-known figures, Heather Dubrow extends her serious conclusions to poetry in different old sessions and to the connection among inventive writers and critics, recommending new instructions for the examine of lyric and style. vast in scope, The demanding situations of Orpheus will curiosity scholars and students throughout various historic fields.

"Thorough, penetrating, and at the innovative of up to date scholarship. crucial. "— Choice

"A beneficial and special learn. Dubrow is principally solid at analysing the connection among gender and style. "— instances Literary Supplement

"Dubrow accomplishes a lot during this pioneering research. "— reviews in English Literature

"Her examine exemplifies an awesome of expert and sensible shut analyzing that you will basically desire will end up as infectious as its writer needs it to be. "— glossy Language Review

"Represents either a wide-ranging exploration of lyric poetry within the early smooth interval and a plea for students to stress multivalent principles and inclusive taxonomies over hierarchical and sharply argumentative methods. "— Year's paintings in English stories

García Lorca at the Edge of Surrealism: The Aesthetics of - download pdf or read online

Garcia Lorca on the fringe of Surrealism: The Aesthetics of discomfort examines the diversities of surrealism and surrealist theories within the Spanish context, studied in the course of the poetry, drama, and drawings of Federico Garcia Lorca (1898 1936). unlike the idealist and unconscious tenets espoused through surrealist chief Andre Breton, which concentrate on the fantastic, computerized artistic techniques, and sublimated depictions of truth, Lorca s surrealist impulse follows a trajectory extra in response to the theories of French intellectuals equivalent to Georges Bataille (1897 1962), who was once expulsed from Breton s authoritative crew.

Extra info for Por un relato futuro

Example text

PART ONE The Underground 2 The Double: Dostoyevsky's idea for The Double No analysis of Dostoyevsky's fantastic realism can afford to overlook his second novel. When it was published in Notes of the Fatherland in 1846, everybody, it seems, was disappointed in The Double', almost all reviewers disliked it, accusing Dostoyevsky of imitating Hoffmann or Gogol, even to the extent of plagiarism (K. S. 2 Dostoyevsky himself was devastated and was soon persuaded that his second was an artistic failure.

S. 2 Dostoyevsky himself was devastated and was soon persuaded that his second was an artistic failure. Yet he stood by the idea of The Double virtually all his life. He repeatedly thought of rewriting it, first of all in 1846, then in 1847, again in 1859, and finally during the years 1861-5. He never did so, although the 1866 version (which is the one we read) has some welcome pruning and is a great improvement on the original. We also have some brief notes for a reworking. 4 Then in the Diary ofa Writer for 1877 he wrote, 'My story was a positive failure, but the idea was quite a bright/clear (svetlaya) one, and I never introduced a more serious one into literature.

Psychoanalytical, models. In particular Bakhtin's discussion of Dostoyevsky's characters - although he repeatedly refers to 'embodied ideas' or 'the self-developing idea inseparable from personality' - takes very little account of desires or emotions either in fictional characters or in writers and readers. Yet we are aware in reading Dostoyevsky, as we are in our relationships within lived experience, that utterances do not simply provoke verbal rejoinders or silences of a rational kind: they also provoke emotional responses, arising from their confirmation or disconfirmation of our subjective selves.

Download PDF sample

Por un relato futuro by Ricardo Piglia


by Robert
4.0

Rated 4.65 of 5 – based on 43 votes