By Alison Oddey, Palgrave Connect (Online service)
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Extra info for Re-framing the theatrical Electronic book : interdisciplinary landscapes for performance
One can never really make it clear enough how genuinely lost one is at the start of creation. Deborah Warner In The PowerBook, 2002–2003, Warner is conductor–director–collaborator in the creation of a ‘genuinely new’ 16 experiment with a non-theatre text, conducting the through score of Jeanette Winterson’s ‘filleted novel’ of ninety minutes, devising the form with Winterson and Shaw, and conducting the underscore: Warner’s structure and stagecraft of conducted moments. The technologies of Jean Kalman’s lighting, Mel Mercier’s musical composition, Tom Pye’s set and video design and Christopher Shutt’s sound design are simply instruments, collaborating in an ongoing working process, conducted by Warner, whose instrument is the orchestra – ‘the company with no name’.
It’s used as a scene and location setter and as moving metaphorical backgrounds or textures to emphasise the interaction and dramatic tension between characters. 2 Measure for Measure, directed by Simon McBurney. 34 Ortel, in collaboration with Dick Straker and Ian Galloway, has designed the video and projection system for the show and there are seven cameras utilised for the production, ‘– two Spycams, a pan/tilt 3-chip zoom camera, a CCTV camera and three mini DV cams, one controlled by a wireless remote system.
It is an example of the shifting direction of the relationship of performing technologies with regard to the director as composer and editor, the video and set designer, the sound artist, musical composer, lighting designer, architects and the computer. The collaborative process of The Builders Association and Diller ϩ Scofidio produced a piece of theatre, which was devised from the original two true stories, where the new technologies of sampled sound, computer animation and video footage was integral to the live action of the performance, story and exploration of travel in contemporary culture.
Re-framing the theatrical Electronic book : interdisciplinary landscapes for performance by Alison Oddey, Palgrave Connect (Online service)