New PDF release: Revisiting al-Andalus: Perspectives on the Material Culture

ISBN-10: 9004162275

ISBN-13: 9789004162273

Revisiting al-Andalus brings jointly various new techniques to the fabric tradition of Islamic Iberia, highlighting specially new instructions in Anglo-American scholarship during this box because the influential exhibition in 1992, Al-Andalus: the paintings of Islamic Spain.

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Additional resources for Revisiting al-Andalus: Perspectives on the Material Culture of Islamic Iberia and Beyond (The Medieval and Early Modern Iberian World, Volume 34)

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On the difficulty of identifying the excavated buildings with those mentioned in the written sources, especially the Anales Palatinos, which only covers the years 971 to 975, see Manuel Acién Almansa, “15 años de investigación”, p. 53, and Antonio Vallejo Triano, Madinat al-Zahra’. Guía Oficial del Conjunto Arqueológico (Seville: Consejería de Cultura Andalucía, 2004), pp. 89–90, 99–100. 30 Hernández Giménez, Madinat al-Zahra’, pp. 165–166, 173. Christian Ewert arrived at a similar conclusion, see “Elementos de la decoración vegetal del Salón Rico de Madīnat al-Zahrā : los tableros vegetales”, in Madīnat al-Zahrā .

Anderson and mariam rosser-owen Andalusi studies are pointing increasingly towards Morocco and its relations with al-Andalus, not so much on the Iberian Peninsula as within Morocco itself, and the ways in which Andalusi material culture might have influenced or been ‘continued’ in Morocco, or even how the influence might have functioned in the other direction. 26 The exploration of the relationship between the Nasrids and the Mamluks is another potential new direction,27 as are the influences of Andalusi art and itinerant artists on Egyptian architecture of an earlier period, seen, for example, in the additions to the Ibn ūlūn Mosque, and the ‘Andalusi aesthetic’ in Mamluk architecture of the thirteenth century.

For advice and support during the publication process, we thank Maribel Fierro, Jeremy Johns, Melanie Michailidis, Nasser Rabbat, and Heghnar Watenpaugh. The Ring of Bells on Dartmoor provided the idyllic setting for work on the volume at a critical moment. And lastly, for their unfailing support and for putting up with long periods of mental absence, we thank our families, especially Clay and Tommy Anderson, and Kent Rawlinson. Map of the Iberian Peninsula showing the locations mentioned in this volume.

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