New PDF release: The Challenges of Orpheus: Lyric Poetry and Early Modern

By Heather Dubrow

ISBN-10: 0801896134

ISBN-13: 9780801896132

Impressive educational identify, selection magazine

This ebook confronts common assumptions approximately lyric as a literary mode, exploring such issues as its courting to its audiences, the impression of fabric stipulations of creation and different cultural pressures, lyric's negotiations of gender, and the interactions and tensions among lyric and narrative.

Offering clean views on significant texts of the period—from Wyatt's "My lute awake" to Milton's Nativity Ode—as good as poems by means of lesser-known figures, Heather Dubrow extends her severe conclusions to poetry in different ancient classes and to the connection among inventive writers and critics, recommending new instructions for the examine of lyric and style. large in scope, The demanding situations of Orpheus will curiosity scholars and students throughout a variety of ancient fields.

"Thorough, penetrating, and at the innovative of latest scholarship. Essential."— Choice

"A invaluable and unique learn. Dubrow is mainly reliable at analysing the connection among gender and genre."— occasions Literary Supplement

"Dubrow accomplishes a lot during this pioneering study."— reviews in English Literature

"Her examine exemplifies a great of knowledgeable and really apt shut interpreting that you can merely wish will turn out as infectious as its writer needs it to be."— sleek Language Review

"Represents either a wide-ranging exploration of lyric poetry within the early sleek interval and a plea for students to stress multivalent rules and inclusive taxonomies over hierarchical and sharply argumentative approaches."— Year's paintings in English reviews

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Read e-book online The Challenges of Orpheus: Lyric Poetry and Early Modern PDF

Remarkable educational name, selection magazine

This e-book confronts common assumptions approximately lyric as a literary mode, exploring such issues as its courting to its audiences, the influence of fabric stipulations of construction and different cultural pressures, lyric's negotiations of gender, and the interactions and tensions among lyric and narrative.

Offering clean views on significant texts of the period—from Wyatt's "My lute awake" to Milton's Nativity Ode—as good as poems through lesser-known figures, Heather Dubrow extends her serious conclusions to poetry in different old classes and to the connection among inventive writers and critics, recommending new instructions for the learn of lyric and style. huge in scope, The demanding situations of Orpheus will curiosity scholars and students throughout a number ancient fields.

"Thorough, penetrating, and at the innovative of latest scholarship. crucial. "— Choice

"A priceless and special learn. Dubrow is mainly reliable at analysing the connection among gender and style. "— instances Literary Supplement

"Dubrow accomplishes a lot during this pioneering learn. "— reports in English Literature

"Her examine exemplifies a terrific of educated and sensible shut interpreting that you will purely desire will end up as infectious as its writer needs it to be. "— smooth Language Review

"Represents either a wide-ranging exploration of lyric poetry within the early glossy interval and a plea for students to stress multivalent principles and inclusive taxonomies over hierarchical and sharply argumentative methods. "— Year's paintings in English reviews

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Extra resources for The Challenges of Orpheus: Lyric Poetry and Early Modern England

Example text

707–9 (gathering not for battle but for mourning). 24. Il. 1–3; Od. 17–19. 25. Il. 4. 26. See also my chapter 1, 14–17, and Fenik (1968, 79–80). 14, which is functionally similar to the general descriptions in the Iliad. 27. We must be careful not to assume that every description of this sort presupposes a viewpoint from one hovering above the scene. Nestor at one point stands outside his hut to see what the clamor signifies: ... at once he looked on a disgraceful action, some being routed, others rushing behind them, mighty-hearted Trojans, and the wall of the Achaians was thrown down.

46. It is not, by the way, entirely true that “everything which is recounted occurs” in the Odyssey, since Teiresias’s prophecy extends beyond the scope of the poem to the time of Odysseus’s death. This exception reinforces Todorov’s point about no surprises—not even the events after the narrative ends are left open for speculation. 38 Scott Richardson 47. Bergren (1983) shows that Odysseus skillfully uses prolepses in the Apologue in the same manner as the main narrator in the Odyssey. 48. See chapter 1, 34.

17–19. 25. Il. 4. 26. See also my chapter 1, 14–17, and Fenik (1968, 79–80). 14, which is functionally similar to the general descriptions in the Iliad. 27. We must be careful not to assume that every description of this sort presupposes a viewpoint from one hovering above the scene. Nestor at one point stands outside his hut to see what the clamor signifies: ... at once he looked on a disgraceful action, some being routed, others rushing behind them, mighty-hearted Trojans, and the wall of the Achaians was thrown down.

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The Challenges of Orpheus: Lyric Poetry and Early Modern England by Heather Dubrow


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