The design of lighting by Peter Tregenza PDF

By Peter Tregenza

ISBN-10: 0203223632

ISBN-13: 9780203223635

ISBN-10: 0203277813

ISBN-13: 9780203277812

ISBN-10: 0419204407

ISBN-13: 9780419204404

Written basically for the working towards dressmaker, The layout of lighting fixtures brings jointly in a single quantity all that the practitioner is probably going to wish. The authors mix a technical creation to lights and color idea with a advisor to layout innovations and standards, to create a accomplished resource booklet for architects and architects on inside lighting fixtures layout.

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A family of very small low-voltage spotlamps is available. Used extensively for display lighting, these lamps are operated on mains voltage with small transformers. DISCHARGE LAMPS—THE GLOWING GAS Light can be produced by an electric discharge in a gas-filled transparent tube. The discharge is started by applying a high voltage across the electrodes at each end. This ionizes the gas filling, enabling an increasing current to flow, and resulting in further ionization. The radiation produced depends on the materials in the tube and on the gas pressure.

10, this equation can be used to predict the number of hours for which the interior daylighting exceeds a given level, and hence the hours of use of electric lighting. Part Two Designing 6 Information, control and energy LIGHTING AND INFORMATION Lighting design is more than the selection of luminaires or the calculation of window sizes: its scope is the composition of brightness and colour across the whole visual field. How a space is perceived or how a visual task is accomplished depends not on illumination alone but on its interaction with the enclosing form of the room and with the pattern, colour and texture of surfaces.

A good lighting design enables people to gain just the right amount of information: too little and the interior is boring and the tasks difficult; too much and we are confused or fatigued. The following seven chapters show how light and colour can be used to reveal different types of information. Chapters 7 and 8 are about the room as a whole: how the brightness and colour of the major surfaces are related to the perceived character of the space, and how clues given by the lighting are associated with users’ preconceptions about the nature of the room.

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The design of lighting by Peter Tregenza


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