By DK Publishing
An international examine the best works of japanese and Western literature and the subjects that unite them, for college kids and fans of literature and reading.
The Literature Book is an interesting trip throughout the maximum works of worldwide literature, from the Iliad to Don Quixote to The nice Gatsby. round a hundred crystal-clear articles discover landmark novels, brief tales, performs, and poetry that reinvented the paintings of writing of their time, even if historical Greece, post-classical Europe, or modern day Korea.
As a part of DK's award-winning Big principles easily Explained sequence, The Literature Book makes use of infographics and photographs to give an explanation for key rules and issues. Biographies of significant authors provide perception into their lives and different writings, and a piece on additional studying information greater than a hundred and fifty extra works to explore.
become aware of masterpieces from the world's maximum authors, and discover the context, artistic heritage, and literary traditions that motivated every one significant paintings of fiction with The Literature Book.
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Extra info for The Literature Book
PART ONE The Underground 2 The Double: Dostoyevsky's idea for The Double No analysis of Dostoyevsky's fantastic realism can afford to overlook his second novel. When it was published in Notes of the Fatherland in 1846, everybody, it seems, was disappointed in The Double', almost all reviewers disliked it, accusing Dostoyevsky of imitating Hoffmann or Gogol, even to the extent of plagiarism (K. S. 2 Dostoyevsky himself was devastated and was soon persuaded that his second was an artistic failure.
S. 2 Dostoyevsky himself was devastated and was soon persuaded that his second was an artistic failure. Yet he stood by the idea of The Double virtually all his life. He repeatedly thought of rewriting it, first of all in 1846, then in 1847, again in 1859, and finally during the years 1861-5. He never did so, although the 1866 version (which is the one we read) has some welcome pruning and is a great improvement on the original. We also have some brief notes for a reworking. 4 Then in the Diary ofa Writer for 1877 he wrote, 'My story was a positive failure, but the idea was quite a bright/clear (svetlaya) one, and I never introduced a more serious one into literature.
Psychoanalytical, models. In particular Bakhtin's discussion of Dostoyevsky's characters - although he repeatedly refers to 'embodied ideas' or 'the self-developing idea inseparable from personality' - takes very little account of desires or emotions either in fictional characters or in writers and readers. Yet we are aware in reading Dostoyevsky, as we are in our relationships within lived experience, that utterances do not simply provoke verbal rejoinders or silences of a rational kind: they also provoke emotional responses, arising from their confirmation or disconfirmation of our subjective selves.
The Literature Book by DK Publishing