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Additional resources for The Paris Review (Spring 2014)

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You think, Well, yeah, I can see it’s called that. But you need to look at the picture. ” What does this mean to you? PHI LLI PS Well, this is an example of the thing we’re talking about. , I think, What is it about? INT ERV IEW ER But isn’t analysis precisely asking somebody, What is it about? 45 PH ILLIP S It can be that. But it’s also having a sense of when that’s the wrong question to ask. Tere are some areas where it’s useful to make meaning, and there are other areas of one’s life where the making of meaning is a way of preempting an experience.

Where demolished Vandeventer Place once stood, Stone magnifcence where Teddy Roosevelt once stayed, Was not that far from demolished Kiel Opera House where Mother took me to hear Traubel with the visiting Metropolitan Opera. 55 My father had a season box at the outdoor Muny Opera. My father had a cop he paid who parked our car there. Te 1904 World’s Fair was in the magical Forest Park night air. I hear crickets singing in the dark sweet Missouri heat their insolent despair. 56 A U T U M N L E AV E S Plop the live lobster into boiling water and let it scream.

Also, I had assumed that anybody who would be interested in psychoanalysis would be interested in many other things as well, but a lot of psychoanalysts in Britain were very anti-intellectual. I assumed that Freud was one writer among many, whereas he was regarded by the establishment in British psychoanalysis as ofering a kind of supreme fction about contemporary life. So one of the dismaying things was reading contemporary psychoanalysis, which was so poor. Tere were some notable exceptions, for instance Wilfred Bion and Winnicott and Marion Milner.

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The Paris Review (Spring 2014)

by Charles

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