By William H. Gass
Publish Date Note: 1st variation 1976, booklet variation 2012
In this sequel to Fiction & the Figures of existence, considered one of America's so much excellent and eclectic minds examines literature, tradition, writers (their lives and works), and the character and makes use of of language and the written be aware. integrated are discussions of Valéry, Henry Miller, Sartre, Freud, Faulkner, suicide, "art and order," and the transformation of language into poetry and fiction. The vividness and readability of Gass's writing, the unabashed love and inimitable use of language-his startling metaphors, the sinuousness of his philosophy, the originality of his vision-make every one essay a looking revelation of its topic, in addition to an instance of Gass's personal singular artistry.
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Additional info for The World Within the Word: Essays
The rewards of the job are many— discovering a well-shaped and compelling story or poem by a previously unpublished writer, watching hitherto disconnected material gradually assume a focus, getting some positive reactions from people you admire. Finally, the editor, for better or worse, contributes (no matter how little) to the shaping of a culture. He need not, and perhaps should not, be doctrinaire; nevertheless, he will have values— aesthetic, cultural, even moral, that will be reflected in what he chooses to publish.
Eschewing newer printing methods allowing for full color and full-image coverage, the Spartan design approach of the Hudson Review promises a “no-frills” read— one intended for an audience already initiated into the world of letters. Positioned as diametrically opposed to the image-heavy comeons of commercial magazines, literary journals like this pledge one thing only: literature. The Hudson Review, in fact, did recently freshen its design, introducing its new look with a blazing orange image, but one carefully integrated into the simple decorative band that readers of the magazine had come to look forward to seeing in their mailboxes.
Unlike Virginia Woolf, who saw her Hogarth Press work as a form of psychological therapy, Joyce simply had a desire to contribute to the literary establishment, especially to the world of small presses and magazines that had been so instrumental in launching her career. ,” had originally appeared in a little magazine published at Cornell University, Epoch, and other journals such as Southern Review, Kenyon Review, and Shenandoah published her work early in her career, and often. Once Ontario Review was underway, Ray took the helm as editor, with Joyce listed as associate editor.
The World Within the Word: Essays by William H. Gass