By Jo Walton
Jo Walton is an award-winning writer of, inveterate reader of, and persistent re-reader of technological know-how fiction and delusion books. What Makes This publication So nice? is a variety of the simplest of her musings approximately her prodigious examining habit.
Jo Walton?s many matters variety from stated classics, to to blame pleasures, to forgotten oddities and gemstones. between them, the Zones of inspiration novels of Vernor Vinge; the query of what style readers suggest through ?mainstream?; the under-appreciated SF adventures of C. J. Cherryh; the field?s many methods to time trip; the masterful technological know-how fiction of Samuel R. Delany; Salman Rushdie?s Midnight?s Children; the early Hainish novels of Ursula ok. Le Guin; and a Robert A. Heinlein novel you could have most probably by no means read.
Over a hundred thirty essays in all, What Makes This booklet So nice is an immensely attractive choice of provocative, opinionated concepts approximately previous and present-day fable and technological know-how fiction, from one in every of our greatest writers.
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Additional info for What Makes This Book So Great: Re-Reading the Classics of Fantasy and SF
More importantly, Marcel Jousse, the Jesuit priest and scholar, who had been reared in a residually oral peasant milieu in France and who spent most of his adult life in the Middle East soaking up its oral culture, had sharply differentiated the oral composition in such cultures from all written composition. Jousse (1925) had styled oral cultures and the personality structures they produced verbomoteur (‘Verbomotor’—regrettably, Jousse’s work has not been translated into English; see Ong 1967b, pp.
A hunter can see a buffalo, smell, taste, and touch a buffalo when the buffalo is completely inert, even dead, but if he hears a buffalo, he had better watch out: something is going on. In this sense, all sound, and especially oral utterance, which comes from inside living organisms, is ‘dynamic’. The fact that oral peoples commonly and in all likelihood universally consider words to have magical potency is clearly tied in, at least unconsciously, with their sense of the word as necessarily spoken, sounded, and hence power-driven.
490). Havelock’s Preface to Plato (1963) has extended Parry’s and Lord’s findings about orality in oral epic narrative out into the whole of ancient oral Greek culture and has shown convincingly how the beginnings of Greek philosophy were tied in with the restructuring of thought brought about by writing. Plato’s exclusion of poets from his Republic was in fact Plato’s rejection of the pristine aggregative, paratactic, oral-style thinking perpetuated in Homer in favor of the keen analysis or dissection of the world and of thought itself made possible by the interiorization of the alphabet in the Greek psyche.
What Makes This Book So Great: Re-Reading the Classics of Fantasy and SF by Jo Walton